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Painting on Location Color Course
by Donald A. Jusko

These little palette colors will take you to new windows
Dioxine Purple Ultramarine Blue Cobalt Blue Thalo Cyan Blue Turquoise transparent Green Opaque Thalo Green
Burnt Umber Real Color Wheel in Pigments Permanent Green Light
Burnt Sienna
Venetian Red Yellow Green Opaque
Yellow Oxide
Naples Yellow Light Green Gold Transparent
Magenta Rembrandt Rose Cadmium Red Medium Cadmium Orange Indian Yellow Gold transparent Cadmium Yellow Medium Cadmium Yellow Pale
and describe each pigment color on the colorwheel.


Plotters Printers Photography CMYK RGB


Real Color Wheel for Plotters, Printers and Photography


This Real Color Wheel is for everyone to print out and use, including the printing industry, I'll keep the hardcopy selling rights, thank you. There are no pigment reference dots on this one. Download it directly.
Notice that the image you down load is a png file, your printer may need it converted to a tiff file.
Also, for the internet in had to be a 72 dpi file, change that to 300 dpi for a 5" printout. Other wise it will be 11.5x11.5 inch printout.
The image was made in CMYK and converted to an RGB, sRGB, png.
Download it, convert it back to a CMYK tiff for the printer and print. I use the Euroscale profile for this image.
I like the profile in the image for printing with no profile in the printer. Send me an email if you don't have it, I'll send the profile to you.

Real Color Wheel for Photographers

The original Real Color Wheel painting 12-24-95, #816 was painted by me for artists like me painting on location. I found the colors in nature while painting. Nature uses perfect complements in it's every moment. All colors have complementary opposition colors, primary oppositions are the most striking.
Real Color Wheel Main Page.

Use this RCW like a visual aid typewriter key board for color.
See a color and know which color will neutralize it to mix it's shadowed color.

It records correct pigment oppositions for making dark colors with transparent paint or ink. It matches all colors in nature and how they shadow. Use it in Photography, Stage Lighting, Textile Dyeing and color coordinating. The RCW color wheel works, free pigment referenced 5x5 Zip with a CMYK EuroScale Coated profile. Use this profile in either the printer or the image. Not both.

This is how it works with ink artists, 4 color printers and plotters.

A plotter is a larger printer that sprays color as opposed to a printer that picks pigment up from another surface. A plotter is used in printing canvas giclees and is color accurate as any four color press. I have a Roland HiFi FJ52" Plotter.

Here's what I did to this image.

Giclee Fruit Basket

My painting was painted without black pigment. There is this short-fall in CMYK, it starts adding black into the value too early and loses color in the deep darks.

I'm going to make some transparent yellow ink to use in the plotter.

I increased Selective Black in the CMYK Proof Setup's Working Black Plate, and reduced the intensity of the black ink in the plotter with an ink adjustment. Then used the acrylic pigment's transparent opposition colors in thin washes to give the now lighter blacks some color instead of just black. It's amazing how similar it looks to my painting now.

It seems black ink takes over making a pigment that is "painted darker with it's intensity hue only", let's say.. 3 coats of transparent magenta. So instead of having 300% magenta ink in the print, you have 100% magenta ink plus black to make it darker. One could lighten the black ink level and paint in the "darkened by intensity only" magenta colors with a brush.

COLOR THEORY

Printers and plotters use the Computer's RGB color wheel and convert it to the printer's CYMK color wheel. They look almost the same, but not exactly. It's better to change the RGB to CMYK and adjust the CYMK. It's best to convert a RAW image directly into CMYK. Printing any converted RGB profile has some printing problems.

Intensely layered magenta isn't possible because the full depth of the pigments ink won't print with only one coat without effecting the rest of the print, even with the extra Light Magenta ink. CMYK adds black ink at this point.

RGB prints what looks on the computer like a perfectly balanced color wheel, and shifts the cyan and magenta 30 degrees in the print. This expands the Green to Cyan range and shortens the Magenta to Red range. WHAT YOU SAW IS NOT WHAT YOU GOT.. on your printer. Also the printer will not print the higher RGB gamma ranges of color.

The CMYK Real Color Wheel you see on your computer is what you will get on your printer or plotter. It looks much duller in comparison to higher gamma RGB realcolorwheel, but the CMYK is the gamma range that is possible and it is what the printed image will look like. The RGB color system has a much higher color gamut, much of high end color is lost in CMYK.

Give the plotter a CMYK image and profile as opposed to giving the printer an RGB image of higher gamma and letting the printer/plotter convert it. It won't correct the color shift of magenta and cyan, that takes an original CMYK image.

The newer plotters give more to play with, with as far as matching colors to a painting or photo. Longer ranges of colors can come into play. For instance, Cyan and Yellow pigment or ink must cover from cyan to yellow in both CYMK and RGB. That's 130 degrees plus the extra 30 degrees because of the RGB color shift. The colors between Green and Yellow are limited by at least 15 degrees. The new plotters give the option of adding another color to CYMK. An extra pre-made Green to mix with Yellow, that evens out the colors available to be reproduced in the green to yellow range. It's not perfect, but it can help. I didn't like it.

The most useful combination of color in nature painting is green and a yellow/orange/red mixture. Green and Magenta make a neutral black from color, the shadow color of green.
Orange is the other color that is hard for the printer to match because of the 30 degree color shift in RGB and the muddiness made from the opaque yellow and transparent Magenta mixed wet. Orange is the second extra color available to my plotter. Having an extra orange makes a greater range of browns and better green/orange color combinations and evens out my ink usage. It works, but after changing out my colors to orange and green and testing it out I changed back to my light cyan and magenta.

My best reproductions are made with a CYMK image that has been worked on. An RGB image can be converted to CMYK closely in some respects by giving it first a sRGB profile then a ColorMatchRGB.icc profile before changing it into CMYK in the plotter. This will not correct the color shift of magenta and cyan though, that can't be corrected. ColorMatchRGB works as the profile if used in the plotter only also.

As a CMYK image either the plotter or the image needs a profile to print with. One of them should have no profile.

After this point it can be re-converted to RGB again if you wanted a gamma limited RGB. The "color shifted" RGB should now contain the "color shifted" CMYK colors with an sRGB profile.

Here, in the image below are the CYMK RCW colors converted into RGB colors for your monitor. A browser won't view in CMYK. The colors look the same though, The original image was made in CMYK. A conversion change in this direction doesn't effect the CMYK colors and removes the color shift RGB has.
It looks like the laminated RCW color wheel I sell to artists for $10. They have no RGB color shift.

My colorwheel was made in CYMK and printed in CYMK

The four large color dots are only extra added colors for this example. They are unconverted RGB colors added to a CMYK image that has been converted to an RGB image and worked on. In these conversions the RGB keeps the same colors that were in the CMYK. Now I can add RGB colors to the existing CMYK colors. Yellow to red RGB colors are accurate but not the rest. They won't print accurately.. but I can add them for monitor viewing.

This shows the printers problem. Those 4 corner color dots below can't be reproduced in print accurately, they are out of gamut.

Only the spectrum in the inner CMYK colored color wheel will print accurately. The four outer colors won't.

CMYK to RGB colorwheel

Below is an RGB RCW color wheel, made on the computer by numbered ratios to match crystals as they get darker, these colors match the element's colors that the artist uses as pigment. Notice the RGB image is brighter and a higher gammut.

36 REAL COLOR WHEEL 
Real Color Wheel for Ink and Pigment Artists


Clickable Artists Real Color Wheel matching pigments

Lead Yellow, cool opaque Naples Yellow Light Naples Yellow Deep Acrylic Vivid lime Green, Oil Yellow Green Opaque Brilliant Yellow Green, translucent in acrylics Cadmium Yellow Cadmium Yellow Medium Cadmium Orange, opaque Green Gold, Transparent Indian Yellow-Orange Lake Extra Yellow Raw Ocher, Opaque Translucent Yellow Oxide Chinese Vermilion Extra, translucent Permanent Green light Chromium Green Oxide Indian Yellow-Brown Transparent Burnt Sienna, translucent Cadmium Red Light-Medium, Opaque Thalo Green, transparent Raw Umber, translucent Burnt Umber, translucent Venetian Red Oxide, Warm, Opaque Opaque Green Light Pigment Photo Chip Chart Rembrandt Rose, Translucent Turquoise Blue-Green, transparent Quinacridone Magenta, Warm Thalo Blue Cyan, Transparent Cobalt Magenta, Cool Ultramarine Blue, Translucent Ultramarine Blue Light Manganese Violet Cobalt Blue French Ultramarine Blue Purple, Transparent Raw Sienna, translucent Ultramarine Violet

Below is a plain RGB colorwheel, printed, and then photographed.

It should show (as I can see in the printed piece) a 20 degree shift of the color center in cyan and magenta, toward warm yellow. It doesn't. Cyan's center didn't move the 20 degrees that I'm seeing in the printed piece but it has become less intense in the cyan to blue range near the blue. The magenta center did move 20 degrees alright, and it included all 30 degrees as magenta in the move. I can't trust photographing in RGB mode to be as accurate as shooting in RAW mode and saving it in CMYK. And I can't trust an image printed from the RGB mode to be color accurate.
RGB printed colorwheel

So.. the above photographed print of the printed RGB colorwheel was not accurate. It lost a lot of intermediate color in the red to magenta range and added a lot of magenta in the blue to cyan range.

The CMYK print is the photo below, it and the monitor image both show accurate color. The print, from an RGB camera shooting a CMYK printed image and the monitor match. To do this I first gave the plotter no profile, it uses the profile I made for all images going to the plotter.
Than I made a new monitor profile to view and work in. I have a laptop and the monitors are tough to work with, I had to make my own profile that is a little darker and shows all the deep warm and cool grays.

This tells me I should never print from a normal RGB taken image if I want real quality. I should photograph the image in RAW, convert it to CMYK and print in CMYK.

This re-photographed CMYK image below is accurate, did I say that already? Did I say I want a 16mp Cannon Mark ll with a 55mm f1.4 lens, an EF lens mount, Photo Shop CS for RAW editing, a 1 gig Flash card, lens hood, focus card and a tripod too?

CMYK printed colorwheel

This is how I convert an RGB image into a CMYK image

Work on the image in the monitors profile for images, I use the Color LCD profile. Adjust the lightness levels in the LAB mode, Use either Adobe RGB profile in the image until it looks right, Adobe RGB is a little better, then give the RGB image file a ColorMatch.icc profile. Convert the image with it's ColorMatch profile into CMYK and give the image no profile.

Adjust the image in CMYK after printing the test print in CMYK. I use U.S. Web Coated (SWOP) profile for most images. I use the Euroscalecoated profile on my only original CMYK image. I have also gotten good results by color adjusting color in CMYK only.


I made this chart below as a table not an image, it shows exactly how the monitor displays each color.
The colors in the table are actual RGB #'s, get them from the code if you want RGB pigment percentages of each color.
Below that is the same image in CMYK.

Color RGB numbers can match color chips to RGB or CMYK using a spectrometer or densitometer. This can be given to the plotter via a profile. It will adjust the applied ink density. I don't use this system. I found I could adjust to perfect any image to match the plotter's untouched ink density and zero ink changes by using the image's Level mode or the new Adobe CS2 Shadow Adjustment. Perhaps the image will need a little extra black or gray.

I made a breakthrough matching the printed color to the original. I corrected the RGB image as close as I could in a print, then changed the file to CMYK and farther color corrected it and changed it back to RGB. It's so close now you can't see a difference.

Neutral dark shades in pigment can be made by mixing any two pigment complements from the pigments given on this Real Color Wheel.
Notice this is not the RGB/CYM computer color wheel. That color wheel, like the Color Wheel Pro being sold gets dark by subtracting light, which is equal to adding black to colors. That's not good for artists painting nature, it looks unatural. I don't know what it's good for.

Artist Pigments plotted by their tube mass color.
Chip Chart of RCW pigment colors. Don't miss this one!
Notice how yellow darkens warm and cool while cyan darkens only cool.
This makes it original and very valuable to the artist matching pigments to nature.

 

THIS IS A COLOR TABLE, NOT AN IMAGE

      01   02   03   04   05   06   07   08   09   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   01  
 A                                                                                                                                                     
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Transparent Yellow

I have been working with a chemical company called Spectra Colors Corp. in my home State, N.J., 4-2-6, to provide my transparent yellow color. Spectracid Tartrazine 170 / Acid Yellow 23 / Azo / C.A.S#: 1934.21.0 / H:1 F:0 R:0 P:D / APR 25,2006 / Lot # T14976 / Scc Order # : 63305, is my choice. This is it, an Indian Yellow for plotters and artists. It is very permanent, never changing at all after 2 months in the hot Lahaina Sun, the ball point writing is gone. Ethylene Glycol added to the pigment made it waterproof ink when dry. As a water color add gum arabic and a little honey. To make an acrylic transparent yellow equal or better then PY153 dioxine nickel complex or PY108 Anthrapyrmidine, add some acrylic gel. The amount of water added to the pigment to print a cadmium yellow light is 1:9. In this image there are 3 cups of 1:9 mixtures, (they all look simular) this is the pigment and dilution I'm printing with.

The two rows are two different pigments. Printing with full strength (1:1 with water) the ink printed a cadmium yellow medium hue color. 1:9 is what the plotter needs to bring it down to cad yellow light hue. All colors with yellow included in them are rich.

Transparent yellow printing

The yellow ink for printers/plotters is opaque today, and I found it prints weakly as a tint. Yes, IMHO the printing industry can use an upgrade.. So could our National Color Index, it's lacking because it's based on calling red, yellow and blue the primary colors of pigment.

Saying red (which is made of yellow and magenta), is a the primary color and giving magenta a code like PR:122. That's Pigment Red #122 to the Color Index.

Yes, the Yellow, Cyan, Magenta color wheel is accurate, not the red, yellow, blue colour wheel. Compare them. My color wheel adds to that, giving the ability to mix all opposite colors into a neutral black hue.

This is a big problem today, because all of our State's School Standards are commanded to teaching the Red, Yellow and Blue as primary colors. Very sad.

The cyan ink used also has a problem, it's not a pure cyan but rather a cyan hue that has a magenta side. I have ordered some manganese dry pigment from Old holland to make a truer hue and will test it as an ink when it arrives. This will probably solve the printer problem of making a good cyan printout.
That didn't work, There is no transparent manganese and the opaque manganese just won't do.


The smallest square matches the primary cyan in this colorwheel.

Real Color Wheel

The small square is the color taken from the under-tone of cerulean. The smaller square is the larger square lightened. The color I want opaque and transparent should make this transition.

manganese blue

Below: In this image the top two are pigment inks I print with on my plotter. The bottom left is Liquitex Thalo blue, the bottom right is has chlorinated phthalocyanine. It is the color I hoped I could get with manganese transparent.

3-1-8
I got it! Old Holland now has an oil paint called Manganese Blue, it is transparent and perfect! Thanks Old Holland, it's made with berium manganate PPB33. In this RGB image you can't seed the difference in the under-tones but you can see it in the mass-tone.

1-22-7
I can't believe what Hewlett Packard did. They made an 12 color plotter without cyan, (light cyan, magenta, light magenta, yellow, red, green, blue, light gray, gray, photo black, matte black, gloss enhancer). I agree that cyan darkens to blue, like the Iceland Spar crystal.
Transparent yellow and transparent cyan make the transparent green hue that will mix with transparent magenta and make a darker neutral so less black will be used. The normal RCWvyellow to blue opposition adds magenta to yellow before adding cyan. Its all complementary oppositions to reach black. Include transparent Azo yellow as the replacement for the opaque yellow we are using as ink today. Yellow and yellow/magenta are the split complements that mix with cyan to make a neutral dark. Someone has to do it, I like my tests so far.

compare ink and pigment

The computer viewing difference between RGB and CMYK
The lower two files are 1) RGB and 2) CMYK converted to RGB. They are graduated red to cyan. The same way pigments mix to black instead of light's color wheel where red and cyan mix to white.

RGB

CMYK

Below is what they look like printed in RGB and CMYK, RGB has a darker, bluer cyan printout then CMYK. Both have same red to dark gradation.

print RGB CMYK

This scan is of a print showing the difference of Black, blue, cyan, green, magenta, red, yellow and purple in RGB and CMYK. There is a big difference between the blues, cyans and magentas. There is a smaller difference between the reds and purples. CMYK prints the better, it gives a more accurate color image, I think.

color compare

If you would like to view the giclees I have printed on my plotter follow this link.

This is the link to the color forum.

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Real Color Wheel by Donald A Jusko is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.