Painting on Location
by Donald A. Jusko
Cousin Victor's 1957 Corvette
16x20, acrylic on hard pressed masonite
panel
August 25, 2002
![]() Place the panel so it is at a 90 degree opposite angle to your vision and the image you are painting is directly above the panel. The top of the panel should be the bottom of the image view. When the charcoal was finished I brush
lined over it with Liquitex water thin painting medium to make a line drawing.
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![]() I cleaned up a few lines with white and called it a day, 8 hours. |
![]() First thing this morning I finished the gray scale and shot a picture of it. Now it's ready to paint. |
![]() Today was an 11 hour day, I had to get
the background in. Tomorrow is the last day I can work on this painting
and I figure the car will take a day. I got two more hours in after this
picture was taken. This is what 2 more hours looks like. Most of the work
was done on the tree above the trunk
Now I'm ready to paint the car, I think it will take all day. |
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Another 11 hour day. It's finished but.. The teeth in the grill were bears teeth,
mean!
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Liquitex has two new transparent colors that are great. First is the Acra Gold, a dark orange-brown
duel-tone that undertones with clear medium into a yellow.
The second transparent color is called Van Dyke Red Hue. It is also a permanent duel-tone . A burnt umber mass tone with a seinna-red undertone. These two colors together have a wider range then burnt sienna by itself. I did notice in my new set of acrylics
that Burnt Sienna is less transparent now then it used to be. Windsor Newton
still has a translucent burnt sienna.
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